On the Run (Protekt #1)

Book one in the PROTEKT series

Who would’ve thought that a British hitman would fall in lust at first sight with an American felon? It could become deadly for both.

Aiden Moriarty is a Florida ‘herbalist’ who works with a performance-enhancing drug used by many athletes. One of them is baseball star Ivan Salerno, who was caught using the drug and is now on the brink of getting suspended. Because of Ivan’s connections with a rogue mob boss, Aiden is taken into a witness-protection program, working along with baseball higher-ups until he testifies.

The mob boss, Augustine Ora, has hired former British military officer and his best hitman Devlin ‘Brit’ Crawford to do the job. Ora has instructed Devlin to go to Miami, kidnap Aiden and take him to the local airport to be transported to Havana, Cuba, to be executed by Ora’s top officers.

However, when Devlin receives the email, the pictures of the blue-eyed felon catch his eye and he is moved to go in a different direction. Instead of delivering Aiden to the airport, he has thoughts of taking him away and saving him from Ora’s wrath.

This move puts himself and Aiden, as well as his assistant, Miranda Ashley, in huge danger. Will Devlin keep Aiden safe despite the odds, or will he fail, causing Ora and his men to come after him?

Living a double life is very dangerous…

Even more so when higher authorities and military agencies are envious of the position you hold and the money you make.

In the life of a PROTEKT agent, intelligence is key and the knowledge of guns must be second nature. Their sole mission—to get the job done swiftly with little mistakes. They’re paid well to handle all situations and hired to do things their own way, often disregarding the laws. Chief Wes gives them this freedom because being ruthless is usually required to finish the job.

When the world’s governments have run out of options, they request the assistance of PROTEKT to handle the situations no one else is able to solve. Only one thing could stand in the way of the agents success—his or her own desires for permanent companionship.

Michael Mandrake pens complex characters who are already comfortable in their sexuality. Thorough these characters, he builds worlds not centered on erotica but rather the mainstream plots we might encounter in everyday life through personal experiences or the media.