Ponygirl Airways: Departure
Xenia Aaron
This is the third book in the Ponygirl Airways series.
Mia Ford continues to fall ever deeper under the spell of Sydney Beaufort, the Frenchwoman who first recruited her to Rose Air Services and into whose world of uncompromising submission she has been irresistibly drawn. The dominant lady now has almost total control over Mia’s life and Mia is spending increasingly more time at Ms Beaufort’s estate as her ponygirl alter ego, Chouchou.
Shaped physically and possibly even psychologically to Ms Beaufort perverse desires, Mia’s very identity is under question. The time is fast approaching when Mia must decide if she is prepared to surrender herself completely to the Frenchwoman, to become someone or something else entirely.
Is Mia ready to take that final step? Will her heart, her emotional and sexual needs, overcome her fear of the consequences of giving her body and soul to the cruel Sydney Beaufort?
More than 64,000 words that continue Mia’s journey into submission and the ponygirl lifestyle.
Main theme is lesbian domination (F/f, also some M/f.) BDSM, Ponygirls, bondage, latex and leather fetishism, use of whips, body modifications.
Excerpt
She had seen a few ponies – both girls and boys – fitted with pony-head masks in the past, but she had never found them convincing, thinking them crude and misconceived. But this ponygirl was wearing a remarkable mask and Mia approached for a closer look. Usually the mask was too big, making the head look out of proportion to the body. But this one was tailored to the pony’s real head, close-fitting and balanced, the most authentic she had seen.
The mask wholly covered her face, with wide straps either side wrapping around her head, locking at the back, completely covering her human ears. A third wide strap passed from her forehead across the top of her skull to lock into place with the other two. She was actually completely bald, her mane incorporated into the top strap – a strip of white hair four inches high, sitting stiffly upright like the bristles of a brush, curving over the top of her scalp to the top of her neck.
Both the mask and the straps were coloured closely to her natural skin tone, except for the white blaze down the centre of the headpiece. Two pony ears, soft upright triangles, sat just above where her human ears would be. The face was skilfully designed to the contours of the human face underneath and had the look and texture of human skin. It incorporated her real eyes, though they were deeply set. They met Mia’s enquiring gaze boldly, proudly.
The convincingly pony-shaped face also used the pony’s real mouth, too, the bit lodged between her white, even teeth, though once again it was deep-set. It was simply fantastic, pure artistry and Mia found it fabulously erotic.
“It comes off for cleaning once a day for a short while, then straight back on again. She’s never seen without it outside of the bathroom. Feel it if you want!” The groom encouraged.
Mia put her hand up and stroked the ponygirl’s muzzle. She could feel the softly padded, pliable construction and dense, fuzzy hair that made up the blaze.
“It’s fixed directly into her face through piercings in each nostril, three across her top lip and two under the bottom lip. Then there are two more each side, one in the centre of her cheeks and one at the end of each eyebrow. There are tubes from the nostril holes on the mask that lead up into each nostril as well.”
Mia shivered as she realized how truly invasive the headpiece was. The thought of having it fixed onto her own face was both horrifying and arousing.
“Of course, the mane is made from her real hair!”
The groom ran her hand across the mane, flattening it. It immediately sprang back into shape.
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