The Strange Adventures of a House-Boat

William Black, Jim Gravelyn


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Published originally and simultaneously in London and New York in 1888 (this eBook version is taken from the illustrated American edition), and taking place in the era of its publication date, The Strange Adventures of a House-Boat is yet another delightful romance from William Black that immerses the reader in English life as experienced by 19th-century ladies and gentlemen, the author’s specialty. Taking place entirely—except for brief excursions of a sight-seeing nature—on a boat the narrator has purchased for a summer trip along England’s extensive canal systems, the author does his usual excellent job of painting with words the emotions and interactions among the various characters he introduces.

This digital version includes 18 illustrations from the original book, quality drawings by an uncredited artist. The title is an echo title, Mr. Black apparently trying to capitalize upon the success of
The Strange Adventures of a Phaeton (1872), published sixteen years earlier, with this similarly titled work of travel fiction.

William Black was a very popular and successful novelist while he was alive, whose fame for some reason did not maintain itself into the 20th century. But whether accorded modern-era critical acclaim or not, readers of William Black novels will enjoy themselves enough to understand why they were so popular at the time they were published. There is nothing better than a good romantic novel—and God help us if we ever reach a point as a species when such is not the case.

Preparing old books for digital publication is a labor of love at Travelyn Publishing. We hold our digital versions of public domain books up against any others with no fear of the comparison. Our conversion work is meticulous, utilizing a process designed to eliminate errors, maximize reader enjoyment, and recreate as much as possible the atmosphere of the original book even as we are adding the navigation and formatting necessary for a good digital book. While remaining faithful to a writer’s original words, and the spellings and usages of his era, we are not above correcting obvious mistakes. If the printer became distracted after placing an ‘a’ at the end of a line and then placed another ‘a’ at the beginning of the next line (they used to do this stuff by hand you know!), what sort of mindless robots would allow that careless error to be preserved for all eternity in the digital version, too? Not us.
That’s why we have the audacity to claim that our re-publications are often better than the originals.
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